Tagged: Walt Disney

HOME INTRUDER!

As noted in Disney historian Leonard Maltin’s 1973 book The Disney Films, there is much “cross-cutting” in subsequent sequences of Snow White. The first of these happens now, as the film “cuts” from the dwarfs’ march home back to their...

MINING AND MARCHING HOME

After that blackout on Snow White and critters cleaning the cottage, Churchill’s glorious music punctuated with melodic clinking introduces the dwarfs’ song. The film employs effectively what is called in cinematic parlance a “telescoping wipe”, in this case brilliantly modified:...

DWARFS STEAL THE SHOW

The screen fades to black and now the film presents a whole new delightful surprise. So far it has established an already powerfully-engrossing storyline involving the romantic or dramatic relationships of four realistically-drawn human characters – the “Snow White half”...

WHISTLE WHILE YOU WORK

Declaring this dwelling to be “adorable – just like a doll’s house”, Snow White dashes up to it with a little skip in her step and all her new animal buddies follow her, last of all that green-shelled turtle which...

Staging a Cartoon Murder

Crossfade quickly out of the darkness to Queen Grimhilda (her name is never mentioned in the film) seated upon her magnificent throne with peacock feathers splayed behind it. She is addressing someone in front of her with instructions to take...

NEW INTEGRATION OF SONGS

Panicked by the Prince’s intrusion out of her dreams into her “real” life, Snow White immediately flees from him, running into the castle amidst a flurry of those white doves. The camera follows her escape with a diagonal pan to...

DESIGNING THE HEROINE

Walt realized that for winning the hearts and minds of his audience to sympathize with his heroine a fairly realistic human design and movement was absolutely necessary – not to mention for the credibility of the Prince, the Evil Queen...

STANDARD PRINCESS FILM OPENING

The film’s opening titles in stark white and teal are cross-faded against a single background of patterned gold. A full orchestra and chorus accompany these with a bombastic version of Frank Churchill’s (1901-1942) melody for the film’s first song, “One...

SHAPING THE STORY

The story of Snow White and the Seven Dwarfs is a Bavarian fairytale collected by the brothers Grimm, Jacob Ludwig Karl (1785–1863) and Wilhelm Carl (1786–1859), in their 1812 publication Children’s and Household Tales, now familiarly known as simply Grimm’s...

“GOLDEN AGE” INTRO

This period was the high point of Walt’s involvement with animation. He was healthy, eager, endlessly creative and completely consumed. This was far more than a job. He lived these pictures every minute of the day, thinking deeply into every...