SOMEDAY MY PRINCE WILL COME
Happy now suggests that the princess “do something” and when she wants to know what, Sleepy suggests she tell them a story. Happy specifies a true story and Bashful wants it to be a love story. As Snow White obliging...
The Nine Disney Animated Masterpieces
A SILLY SONG (AND DANCE!)
The yodeling intro precedes the song proper. Happy sings the first verse of clever meaningless lyrics followed by a group chorus during which he tap-dances (though silently). The chorus is a model of self-deprecation: “Ho-hum, the tune is dumb; the...
PARTYTIME!
Cross cut back to some festivity at the dwarfs’ cottage where a jolly evening of entertainment contrasts dramatically with the dark evil of the preceding sequence. The camera trucks out of the forest toward a brightly lighted window of the...
QUEEN’S TRANSFORMATION
Here Walt made another excision, a big one, eliminating the “Soup Eating Sequence”, which had been fully brilliantly and painstakingly animated by another superior early Disney artist, Ward Kimball. Along with it another song bit the dust too, Churchill/Morey’s “The...
BLUDDLE-UDDLE-UM-DUM!
Dashing down the stairs and across to the fireplace, Snow White uses a cloth to swing the stewpot off the fire and to lift the lid. She samples its contents with a spoon. The dwarfs assemble on the landing outside...
THE BEDROOM SEQUENCE
Assigned to Fred Moore (1911-1952) this “Bedroom Sequence” – as it became known – was one of the first to be animated. Snow White yawns and stretches and starts to wonder whether the “children” have returned then notices seven pairs...
HOME INTRUDER!
As noted in Disney historian Leonard Maltin’s 1973 book The Disney Films, there is much “cross-cutting” in subsequent sequences of Snow White. The first of these happens now, as the film “cuts” from the dwarfs’ march home back to their...
MINING AND MARCHING HOME
After that blackout on Snow White and critters cleaning the cottage, Churchill’s glorious music punctuated with melodic clinking introduces the dwarfs’ song. The film employs effectively what is called in cinematic parlance a “telescoping wipe”, in this case brilliantly modified:...
DWARFS STEAL THE SHOW
The screen fades to black and now the film presents a whole new delightful surprise. So far it has established an already powerfully-engrossing storyline involving the romantic or dramatic relationships of four realistically-drawn human characters – the “Snow White half”...
WHISTLE WHILE YOU WORK
Declaring this dwelling to be “adorable – just like a doll’s house”, Snow White dashes up to it with a little skip in her step and all her new animal buddies follow her, last of all that green-shelled turtle which...
